Then the internet and a lap top computer made a difference. Sitting in his local Starbuck's, he composes music every week. He sets a couple of rules for himself: Each piece is thirty seconds long, and its title must be something he observed at Starbucks.
Now hundreds of people (well, maybe it's dozens) have downloaded his pieces. I left a comment at his blog, and he replied,
It boggles my mind how much fun 'm having writing music these days ... - I'm not worried about quality and I sort of enjoy trying to provoke or confuse the listeners. Each piece I post seems to get listened to about 2 or 3 dozen times - but no one ever says anything to me about them - people must be too confused.
What drew me to the blog was a connection to composer John Adams, to whom Ocker has a personal connection. Here's some of what he writes about Adams and NIXON IN CHINA:
Hey, I was in Houston at the premier of Nixon too. I've never quite come to terms with the third act - but that may be because the first two acts are simply wonderful - and Alice's libretto has always seemed deep and filled with unlimited allusions. I often find myself quoting lines.
Remember, as John's copyist, I spend a lot of time dissecting the librettos in strange ways - mostly syllable by syllable - but even now I'm impressed by the words in Nixon - one of my long delayed projects is the computerized full orchestra score to Nixon - so all the scores and parts are sitting on a shelf a few feet from my head. But I'm really working on A Flowering Tree - the opera premiering this fall...
I like the music to Nixon too. It would have been nice if more of the simple harmonies alternating rhythmically had survived into his current dramatic works. Not as a stylistic mainstay but as a foil to the newer ideas.
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